バイオグラフィー
Biography
As a professional shamisen player, pianist, and composer, she composes both Nagauta and Western classical music such as orchestral or chamber music.
Amane Sakaguchi (b.1998) is professionally known as “Kosaburo Kineya” in her shamisen performances.
Born to a musician family succeeding the art of “Nagauta” music for over 200 years in Tokyo, Sakaguchi began her professional career as a shamisen player at 14 and announced to succeed the stage name “Kosaburo Kineya Ⅳ” at 20.
Her unique musical background made her interested not only in Nagauta music but also in other genres of music. She started playing the piano at 4 and won several prizes at domestic and international competitions. She is now involved actively in both shamisen and piano performances.
She has played shamisen as a leading player in historical theaters such as Kabuki-za (Tokyo), Minami-za (Kyoto), and Hakata-za (Fukuoka).
She started composing Nagauta music when she was an undergraduate student at Tokyo University of the Arts. All her compositions have been performed again. She also learns Western composition under Dr. Kyle Blaha, a faculty member at the Juilliard School.
She plays shamisen in some TV programs including the Japanese historical TV drama series “Dosuru-Ieyasu (What are you going to do, Ieyasu?)” By NHK (Japan’s public broadcaster). She has also explored opportunities to collaborate with musicians of different genres such as Rock, Classical, etc. She sometimes arranges and incorporates some phrases from traditional Nagauta to fit into other music genres.
With her broad interests and knowledge of both Japanese and Western music, she is not wedded to her traditional background but always enjoys looking into new perspectives of shamisen.
She is a trilingual speaking Japanese, English, and German🇯🇵🇬🇧🇩🇪
Shamisen player / Composer
Kosaburo Kineya IV
Career
1998
経歴
2013
2014
2015
2017
2019
2020
2021
2022
2023
Born in Tokyo as a daughter of Katsusaburo Kineya, the eighth Iemoto (head) of Kinekatsu-kai
(the largest shamisen school in Japan) Started playing shamisen at 6 Learn shamisen under Katsusaburo Kineya Ⅶ (grandfather), Katsusaburo Kineya Ⅷ (father), Katsujuro Kineya
Started her professional career as a shamisen player at 14
Started her professional career as a shamisen player at 14
Shamisen performance in Hakata-za Theater, Fukuoka
High school diploma, the Music High School attached to the Faculty of Music, Tokyo University of the Arts
Performance of her composition “Yōkai-Kumikyoku (Suite of the Japanese folktale monsters, Yōkai)” at “Geidai Arts in Marunouchi”
Miyata Ryohei scholarship, given by Tokyo University of the Arts
B.A., Tokyo University of the Arts (Graduated with honors), Acanthus Music Award Composed music for a dance performance “Hikari”, commissioned by Japanese traditional dancer, Kiina Hanayagi Composed “Chōjū-Giga EMAKI (the Frolicking Animals)” and “Moji-Shunjū (the History of Moji)”, both commissioned by the Agency for Cultural Affairs of Japan and Kitakyushu City, choreographed by Japanese traditional dancer Rankoh Fujima (Live-streamed in Japan, China, and South Korea)
Composed music for a theatrical performance “Sakuya-Hime (Princess Sakuya)”, commissioned by Japanese traditional dancer, Kiina Hanayagi
Selected for the "NEXT Artist 2023" out of 330 applicants
Collaboration performance with BREIMEN
Played solo on the soundtrack of the Japanese historical TV drama series “Dosuru Ieyasu (What are you going to do, Ieyasu?)” By NHK (Japan’s public broadcaster)
2019
2021
2022
2021
2022
Compositions
Traditional Naguata music
Western-style music
Nagauta “Suma-no-Ura (the Bay of Suma)”
“Yōkai-Kumikyoku (Suite of the Japanese folktale monsters, Yōkai)” for shamisen orchestra
“Chōjū-Giga EMAKI (the Frolicking Animals)” music for traditional Japanese dance
Nagauta “Moji-Shunjū (the History of Moji)” music for traditional Japanese dance
“Fūjin-Raijin (the Wind God and the Thunder God)” for shamisen duo
“Sakuya-Hime (Princess Sakuya)”, music for a theatrical performance
Nagauta “Hikari (Light)”, music for traditional Japanese dance
“KAGUYA” for chamber orchestra
“Rain and Snow in Tokyo” for cello and piano
“The Sea” for clarinet, cor anglais and piano
“Ave Maria” for SATB chorus
“String Quartet No.1”
“Tokyo, Bayside, 10:32 p.m.” for orchestra
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