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花菱 家紋 杵勝会

​バイオグラフィー

​Biography

As a professional shamisen player, pianist, and composer, she composes both Nagauta and Western classical music such as orchestral or chamber music.
 
Amane Sakaguchi (b.1998) is professionally known as “Kosaburo Kineya” in her shamisen performances.
Born to a musician family succeeding the art of “Nagauta” music for over 200 years in Tokyo, Sakaguchi began her professional career as a shamisen player at 14 and announced to succeed the stage name “Kosaburo Kineya Ⅳ” at 20.
 
Her unique musical background made her interested not only in Nagauta music but also in other genres of music. She started playing the piano at 4 and won several prizes at domestic and international competitions. She is now involved actively in both shamisen and piano performances. 
 
She has played shamisen as a leading player in historical theaters such as Kabuki-za (Tokyo), Minami-za (Kyoto), and Hakata-za (Fukuoka).
 
She started composing Nagauta music when she was an undergraduate student at Tokyo University of the Arts. All her compositions have been performed again. She also learns Western composition under Dr. Kyle Blaha, a faculty member at the Juilliard School.
 
She plays shamisen in some TV programs including the Japanese historical TV drama series “Dosuru-Ieyasu (What are you going to do, Ieyasu?)” By NHK (Japan’s public broadcaster). She has also explored opportunities to collaborate with musicians of different genres such as Rock, Classical, etc. She sometimes arranges and incorporates some phrases from traditional Nagauta to fit into other music genres.
 
With her broad interests and knowledge of both Japanese and Western music, she is not wedded to her traditional background but always enjoys looking into new perspectives of shamisen.

She is a trilingual speaking Japanese, English, and German🇯🇵🇬🇧🇩🇪

​Shamisen player / Composer

Kosaburo ​Kineya IV

Career

1998

​経歴

2013

2014

2015

2017

2019

2020

2021

2022

2023

Born in Tokyo as a daughter of Katsusaburo Kineya, the eighth Iemoto (head) of Kinekatsu-kai

(the largest shamisen school in Japan) Started playing shamisen at 6 Learn shamisen under Katsusaburo Kineya Ⅶ (grandfather), Katsusaburo Kineya Ⅷ (father), Katsujuro Kineya 

Started her professional career as a shamisen player at 14 

Started her professional career as a shamisen player at 14

Shamisen performance in Hakata-za Theater, Fukuoka 

High school diploma, the Music High School attached to the Faculty of Music, Tokyo University of the Arts 

Performance of her composition “Yōkai-Kumikyoku (Suite of the Japanese folktale monsters, Yōkai)” at “Geidai Arts in Marunouchi” 

Miyata Ryohei scholarship, given by Tokyo University of the Arts 

B.A., Tokyo University of the Arts (Graduated with honors), Acanthus Music Award Composed music for a dance performance “Hikari”, commissioned by Japanese traditional dancer, Kiina Hanayagi Composed “Chōjū-Giga EMAKI (the Frolicking Animals)” and “Moji-Shunjū (the History of Moji)”, both commissioned by the Agency for Cultural Affairs of Japan and Kitakyushu City, choreographed by Japanese traditional dancer Rankoh Fujima (Live-streamed in Japan, China, and South Korea) 

Composed music for a theatrical performance “Sakuya-Hime (Princess Sakuya)”, commissioned by Japanese traditional dancer, Kiina Hanayagi 

Selected for the "NEXT Artist 2023" out of 330 applicants

Collaboration performance with BREIMEN

Played solo on the soundtrack of the Japanese historical TV drama series “Dosuru Ieyasu (What are you going to do, Ieyasu?)” By NHK (Japan’s public broadcaster) 

2019

2021

2022

2021

2022

Compositions

Traditional Naguata music

花菱 家紋 杵勝会

Western-style music

Nagauta “Suma-no-Ura (the Bay of Suma)” 

“Yōkai-Kumikyoku (Suite of the Japanese folktale monsters, Yōkai)” for shamisen orchestra

“Chōjū-Giga EMAKI (the Frolicking Animals)” music for traditional Japanese dance

Nagauta “Moji-Shunjū (the History of Moji)” music for traditional Japanese dance

“Fūjin-Raijin (the Wind God and the Thunder God)” for shamisen duo

“Sakuya-Hime (Princess Sakuya)”, music for a theatrical performance 

Nagauta “Hikari (Light)”, music for traditional Japanese dance

“KAGUYA” for chamber orchestra

“Rain and Snow in Tokyo” for cello and piano
“The Sea” for clarinet, cor anglais and piano
“Ave Maria” for SATB chorus
“String Quartet No.1”
“Tokyo, Bayside, 10:32 p.m.” for orchestra

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kineyakosaburo@gmail.com

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